About me
The phrase "A good observer is a good painter" accompanies me in this beautiful language of expression, where instead of words, we can pour out our feelings through colors and shapes.
Milestone 1
The encounter with porcelain: The beginning of an eternal passion.
Milestone 2
Mastery in Realism: The challenge of capturing the gaze.
Milestone 3
Opening of the Marina Fiamingo Atelier: A space for creation and healing in Buenos Aires.
My story
My journey with art began among canvases and oil paints, my first great passion as a drawing and painting teacher. However, in 2009, porcelain came into my life and transformed everything. I was captivated by the unique magic that happens when pigment melts in fire, allowing me to bring my artistic expression to a timeless medium.
My proposal
Day by day, I strive to make art much more than a technique; transforming it into a channel for inhabiting the present. My purpose is to accompany you through the "Power of Observation.".
We're going to focus on the pursuit of realism, a captivating style that invites us to observe closely. For me, painting is about learning to see the essence, the details that sometimes go unnoticed, feeling their forms and characteristics.
Through painting, we will engage in a conversation with what we are creating, achieving a genuine union between our sensitivity, the brush, and the motif that comes to life in the piece.
We will discover that the creative process can be a haven of calm. Painting is an invitation to disconnect from external noise and connect with oneself, transforming each brushstroke into an exercise in mindfulness and well-being.
Paint to eternalize moments
With each firing, I leave a part of my story for the porcelain to keep forever.
With each firing, I leave a part of my story for the porcelain to keep forever.
Frequently Asked Questions
In this section you'll find frequently asked questions about my proposal and my story. If you still have any further questions, please contact me.
What was my training path like in the art of the third firing?
My training is the result of a constant search for technical excellence and emotional depth. I began my journey under the tutelage of great masters of porcelain in Argentina, specializing in the technique of third cooking. Over the years, I have perfected the oil in mole and realism, disciplines that demand absolute technical rigor. My career is not only academic; it is the fruit of thousands of hours in front of the kiln and the brush in my studio. Villa Devoto, where I have transformed traditional technique into my own authorial language.
What defines my style and why did I choose botanical and human realism?
My style is defined by the search for the “truth” behind the glaze. I chose realism because it allows me to honor life in its purest form: from the gaze of a loved one to the imperfection of a withered leaf. I use porcelain as my medium because of its nobility and timelessness. Through glazes and layers of mineral pigments, I strive to create a work that is not a copy of reality, but an emotional interpretation that seems to breathe. For me, realism is the most direct bridge to connect with the soul of the viewer.
Why do I integrate concepts like "resilience" and "healing" into my training programs?
For me, art and life are inseparable. My own personal journey has taught me that porcelain painting is a powerful healing tool; it requires patience, presence, and the ability to transform “fire” into something beautiful. In my studio in Buenos Aires, I don't just teach how to apply pigment to a plate; I teach how to inhabit the present. vitrified resilience It is my philosophy: to understand that, like porcelain, we too can go through extreme trials and emerge from them transformed into pieces of unalterable and unique beauty.
What is my current mission as a mentor and porcelain painting artist?
My mission is to elevate the art of painting on porcelain from a "decorative hobby" to a authorial art discipline. I want my students, both in person and online, to... Villa Devoto As virtual students around the world, discover your own technical and emotional voice. I seek to preserve classic techniques, such as the use of nibs and precious metals, but applying them to a contemporary and professional vision. My goal is that each piece that leaves this Atelier be a testament to technical excellence and a cultural heritage that endures for generations.
My Atelier
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